Caitlin makes her professional debut as Proserpina in Nico Muhly’s reorchestration of Orfeo by Monteverdi.

Buy tickets here!

https://official.santafeopera.org/10783/11167

To kick off the 2020-21 season, Caitlin will be singing Heitor Villa-Lobos’s Bachianas Brasileiras No. 5 with 8 cellos at the Marlboro Music Festival.

Caitlin will give her first masters recital in Duncan Hall on April 17, 8pm CST.

Program:

6 Romances, op. 38 (Rachmaninoff)
Vier Lieder, op. 2 (Schoenberg)
Four Songs on Poems by Hugo (Liszt)
Four Folksongs for Soprano, Viola, and Piano (Alan Smith)

Featuring the immensely talented Sam Martin on the keys, and Nicholas Pelletier on the viola!

2020 Oberlin Concerto Competition winner, Caitlin Aloia, performs Les Illuminations by Benjamin Britten with Oberlin Conservatory Chamber Orchestra in Finney Chapel under the baton of Maestro Raphael Jimenez.

This event was cancelled due to COVID-19.

Lauren and Caitlin Aloia perform a socially distant concert of vocal and piano works from the porch of their house in Doylestown, PA. The program includes works by Debussy, Rachmaninoff, Schubert, Bellini, and Strauss. This concert will be livestreamed on Youtube at the link below.

Due to COVID-19, this event has been cancelled.

2020 Oberlin Concerto Competition winner, Caitlin Aloia, performs Les Illuminations by Benjamin Britten with Oberlin Conservatory Chamber Orchestra in Finney Chapel under the baton of Maestro Raphael Jimenez.

Caitlin performs the Widow’s role in Mendelssohn’s Elijah with Oberlin College Choir, Musical Union, and Chamber Ensemble in Finney Chapel. She sings alongside nationally-acclaimed baritone and Oberlin faculty member, Timothy Lefebvre.

Caitlin is featured on the second-year masters recital of conductor Oscar Osicki, performing Britten’s Les Illuminations with chamber orchestra.

Caitlin sings the world premiere of Kari Watson’s Sunburnt Monoliths with the Oberlin Contemporary Music Ensemble, under the baton of Maestro Timothy Weiss.

Caitlin will be performing John Harbison’s Mirabai Songs with orchestra in Finney Chapel. Follow the livestream link to watch!

https://www.oberlin.edu/conservatory/on-stage/live-webcasts/finney-chapel-live-webcast

The Aloia Sisters perform a program of arias, art songs, and solo piano pieces an audience at Wesley Enhanced Living. This concert is dedicated to their grandmother, Teresa McFadden.

Photo by Matthew Genders.

Caitlin performs “Stormy Weather” and other American Songbook classics in collaboration with John Musto, directed by Amy Burton.

Photo by Jeanine Hill Photography.

Caitlin performs Mirabai Songs with Gloria Engle and Newer Every Day by Jake Heggie for Songfest’s New Voices in Song concert in Zipper Hall at the Colburn School.

Photo by Jeanine Hill Photography.

Caitlin performs “J’ai deux amours” with John Musto on the French Operetta Celebration concert at Songfest.

Photo by Jeanine Hill Photography.

Caitlin sings Brahms’ “An eine Äolsharfe” with Lydia Brown on her concert of the music of Brahms and the Schumanns.

Photo by Jeanine Hill Photography.

Caitlin sings “Öffne dich” from BWV 61 with orchestra under the baton of John Harbison.

Photo by Jeanine Hill Photography.

Caitlin performs a set of Marx songs with Liza Stepanova on the Colburn Fellows showcase.

Caitlin sings “That I did always love” from Jake Heggie’s Newer Every Day: Songs for Kiri, accompanied by Steinway Artist Robert Thies and coached by the composer himself.

Caitlin sings the role of Arabella in the Act 1 duet from Strauss’s Arabella, produced by Oberlin Opera Theater.

Caitlin sings Bach’s Wedding Cantata with oboe on an Artist Diploma recital, accompanied by chamber ensemble.

Caitlin sings both John Harbison’s Mirabai Songs and “Bete, aber auch dabei” from BWV 115 with orchestra to complete her junior year studies at Oberlin.

Caitlin sings her second performance of Blanche de la Force in Poulenc’s tragic work, Dialogues des Carmélites with Oberlin Opera Theater.

Photo by Yevhen Gulenko.

Caitlin sings her first performance of Blanche de la Force in Poulenc’s tragic work, Dialogues des Carmélites with Oberlin Opera Theater.

Photo by Yevhen Gulenko.